p. 40 — Pre-Pro
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Companion to: The Apple and the Tree
Core Concept
"She was learning how to drive. I was learning to walk. We were growing up together on the same damn clock."
Kris's mom was 15 when she got pregnant, 16 when Kris was born. Her biological father was in an eighties hair metal band on the Sunset Strip. That world, the gigs, the scene, the chaos, was Kris's childhood. This song is a joyful, cinematic portrait of that upbringing told without shame or judgment. It's a celebration of a wild, unconventional kind of love. Her mom's teenage wild loving didn't just survive, it saved her.
Companion song: "The Apple and the Tree" explores the same relationship from a deeper, more emotional angle.
The Story Behind the Song
Kris grew up surrounded by the Sunset Strip hair metal scene. Her mom was a teenager, her dad played in a band, and the world around her was full of aquanet, lava lamps, payphones, and Friday night soundchecks. She slept through concerts. She knew every word to Zeppelin, Heart, and Ratt before she could ride a bike. There was no conventional childhood, but there was so much color, noise, and love in it. The song captures the specific texture of that world, not to mythologize it, but to honor it exactly as it was: funny, wild, real, and theirs.
Emotional Arc
Opens with pure cinematic 80s detail, red acrylic nails, Bailey's in the coffee, stroller roller skating on the Strip. Verse 2 shows them growing up in parallel on the same clock, two different bottles. The bridge is a full sensory explosion of the era. The final chorus lands the turn: underneath all the fun is something genuinely tender. Her mom's teenage wild loving saved her. It earns its warmth.
Thematic Language
Two kids growing up on the same clock
The Sunset Strip as a childhood home
Hair metal, soundchecks, and lullabies from a boombox
Noise and neon as a love language
Polaroids, payphones, walkmen, lava lamps
Mama's teenage wild lovin' saved me
Sonic Palette
Overall Vibe
Fun, quirky, slightly weird in the best way. The demo captures the character. The goal in session is to elevate what's there, not reinvent it.
Demo Status
Direction locked. Guitar tones need work — let real players bring the grit. There are cool unidentified sci-fi/quirky sounds in the demo that give it personality — identify and preserve or consciously reference.
Guitar Tone
The song lives in country soul rock throughout. The 80s is a wink, not a costume. One iconic moment, not an era overhaul.
Key Production Moment
Pre-Chorus — "I was raised on noise and neon"
Two things happening here. First: one big Van Halen style single-chord strum on the pre-chorus, an iconic 80s rock gesture that nods to the Sunset Strip without making the song feel like an 80s record. It's a wink. Second: the word NEON stretches with reverb and tails out. That bloom plus the strum together is the moment. The rest of the song stays country soul rock.
Music Video
Full Music Video — Personal Archive
Concept: A montage of real childhood photos and home footage. Kris dressed up in full 80s gear by her mom and aunt. Young mom photos — cigarette in hand, beer up, looking beautifully faded. The authenticity of the real archive is the whole concept.
Tone: Funny, warm, and completely real. The humor comes from the truth of it. Let the archive speak for itself.
Action item: Collect photos and video footage from mom before pre-production locks. This footage is irreplaceable.
Open Questions
Identify the quirky sci-fi sounds in the demo — preserve or consciously reference in session
Pre-chorus Van Halen strum — experiment with placement and intensity in session
Collect photo and video archive from mom for MV pre-production
"Neon" reverb treatment — experiment in session, find the right bloom
p. 41 — Lyrics
Companion to: The Apple and the Tree
Verse 1
Red acrylic nails and a marble red
Hanging out the window of her silver Corvette
Bailey's in her coffee
Travel size bottle of aquanet
Stroller roller skating on the Sunset Strip
Good thing I could sleep
Through a Friday night soundcheck
She was the only kid back then
In the front row
With a baby on her hip
Pre-Chorus
Lullabies from a boombox
I was raised on noise and neon
* "neon" — stretch with reverb, bloom it out, make it feel 80s rock
Chorus
Babies raising babies in the 80s
MTV and going Gen X crazy
Polaroids and payphones
Street lights on you get your ass back home
The radio and Rock and Roll raised me
Babies raising babies in the 80s
Verse 2
She was learnin' how to drive
I was learnin' to walk
We were growin' up together
On the same damn clock
Bottles of milk
Bottles of jack
I knew every word to Zeppelin, Heart and Ratt
Pre-Chorus
Just two valley girls
Living in an analogue world
Chorus
Babies raising babies in the 80s
MTV and going Gen X crazy
Polaroids and payphones
Street lights on you get your ass back home
The radio and Rock and Roll raised me
Babies raising babies in the 80s
Bridge
Trash can jungle juice
Sneak out after curfew
Leather jackets, CDs
Poison bottle perfume
Lava lamps, ashtrays
OG mixtapes
Pop em in the walkman
Festivals and freeways
Paint it all in daisies and paisleys
We were just two...
Chorus (Final)
Babies raising babies in the 80s
MTV and going Gen X crazy
Polaroids and payphones
Street lights on you get your ass back home
The radio and Rock and Roll raised me
And my momma's teenage wild lovin' saved me
Babies raising babies in the 80s