← Index · pp. 28–29
p. 28 — Pre-Pro
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Midnight Church Aftermath — Pre-Production Sheet
Dark Horse Prayer
Key A Minor
BPM 6/8 — see note
Artist Kris Bradley
Co-written with Blue Foley
Time Sig 6/8
Status Demo Approved / Direction Locked
"I'd rather be an orange in a barrel of shiny apples than just another shiny apple."
Kris never quite fit the mold — not in school cliques, not in LA, not in Nashville. LA said she was too country. Nashville said she was too LA. What used to feel like rejection eventually revealed itself as the thing that made her interesting. This song is a prayer for the ones who never belonged — not a lament, but a declaration. Keep me different. Keep me strange. Keep me mine.
Opens with a direct challenge to the idea that fitting in is the goal. Verse 1 makes peace with being left out, left behind, left of center. Verse 2 flips it into aspiration — let me be the belligerent truth, the living proof. The chorus is the prayer: keep my black sheep halo, keep me different. The bridge deepens it into something spiritual — dying to what you were made to be is actually the path toward it.
Black sheep halo
Dark horse — the one no one expected to win
Orange in a barrel of shiny apples
LA said too country / Nashville said too LA
Belligerent truth in a polite room
Lord keep me different
Overall Vibe
Blues country rock. Gritty, soulful, and grounded. This song has swagger and reverence at the same time.
Eb Moment
When the song moves to Eb, we're going for a weird, dark Black Hole Sun vibe. This isn't fully reflected in the demo yet, but it's the direction. Lean into the strange.
Final Chorus
The breakdown chorus should go to C major 7 instead of G. Reference: Lainey Wilson "Truck" energy on that shift.
Demo Status
Demo is on point for structure. The Eb moment and final chorus chord change are departures from the demo — build those in session.
Chris Stapleton
Chris Cornell — Black Hole Sun
Lainey Wilson — Truck
Blues country rock as the primary sonic lens. Stapleton's earthiness and grit. Cornell's weird dark tension on the Eb. Wilson's energy on the final chorus chord shift.
Verse 2 — "Belligerent truth in a polite room"

Potential Easter egg — "belligerent truth" is part of the album's internal language and thematic DNA. Confirm whether this is an intentional thread or organic overlap.
Concept TBD
Confirm Easter egg status of "belligerent truth" line
Music video or visualizer direction TBD
p. 29 — Lyrics
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Midnight Church Aftermath — Lyrics
Dark Horse Prayer
Written by Kris Bradley & Blue Foley
© Boomfox Productions
You can't be anything you want
But you can be everything you are
So why you tryin to be like everybody else
And make it so damn hard
I'm ok with being left behind
I'm ok with Being left out
A little left of center I do better
When I'm only trying to be myself
I think I'll keep my black sheep halo
But I'm down on my knees so please
Lord hear my dark horse prayer
Cuz I could use a little company
Everybody's trying to be the same
But you can still lose by playing the game
In a world that's so infinite
Lord keep me different
Let me stick out like belligerent truth
In a polite room
Let me be the words that heal the wounds
Let me be the living proof
I think I'll keep my black sheep halo
But I'm down on my knees so please
Lord hear my dark horse prayer
Cuz I could use a little company
Everybody's trying to be the same
But you can still lose by playing the game
In a world that's so infinite
Lord keep me different
Lord let me drown till I die unto you
Do all of the things you made me to do
I think I'll keep my black sheep halo
But I'm down on my knees so please
Lord hear my dark horse prayer
Cuz I could use a little company
Everybody's trying to be the same
But you can still lose by playing the game
In a world that's so infinite
Lord keep me different