← Index · pp. 30–31
p. 30 — Pre-Pro
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Midnight Church Aftermath — Pre-Production Sheet
Shaped By My Sin
Key A Major
BPM 92
Artist Kris Bradley
Co-written with Blue Foley & Charlie Chronopolus
Status Pre-Pro / Demo Phase
Genre Country-Rock / Americana
"Every time I evolve, I villainize the version of me who didn't know better yet. This song is the correction."
A reckoning with the pattern of blowing up old versions of yourself and treating them as the enemy. The premise: the wrong steps didn't derail the journey, they built it. This song is an act of integration, not abandonment. A hand extended to a former self. Not pity. Recognition. Gratitude.
Opens in that familiar place of looking back with judgment. Shifts into honesty. Lands somewhere warmer, with swagger. By the end it should feel like ownership, not apology. This is not a sad song. It's a reckoning, and there's grit in that.
Blowing up old versions of yourself
Villainizing instead of integrating
Wrong steps that still led somewhere real
Healing as wholeness, not erasure
You don't get here without her
Drums
Tight, locked in. The demo groove is working. Keep it.
Keys / Organ
Hammond-style percussive attack, clipped drawbar tone. Not a clean clav patch. Dirty rhythm instrument locked into the pocket. Think Custard Pie, not Stevie Wonder.
Guitars
Gritty, confident. Eric Church "Smoke A Little Smoke" energy. Not flashy. Dangerous.
Overall Vibe
Funky groove + rock grit. The groove stays. The cleanliness goes. Dangerous, not danceable.
Led Zeppelin — Custard Pie
Eric Church — Smoke A Little Smoke
Custard Pie: the feel, the dirt, the space, that percussive Hammond tone.
Smoke A Little Smoke: guitar attitude and grit. Where the rock edge lives.
The demo went full funk when it needed to stay in the pocket. Pull the clav syncopation back. Dirty up the organ tone. Let the guitars carry the rock identity. The groove the demo found is real and worth keeping. The direction is Zeppelin-meets-Church, not a funk record.
Concept TBD
How much of the demo carries into final session vs. rebuilt from scratch
Music video or visualizer direction TBD
p. 31 — Lyrics
Midnight Church Aftermath — Lyrics
Shaped By My Sin
Written by Kris Bradley, Blue Foley & Charlie Chronopolus
© Boomfox Productions
It's 8 o'clock in the morning
Billy wants his scotch on the rocks
So I start him a tab
Fill up his glass
And pour me a shot, cuz it's part of the job
There ain't no windows in this bar
Ain't no telling dusk from dawn
So I reach for relief
And count down the hours
Till I stumble on out the door
It's been a long and broken road
but I know...
Where I been ain't where I'm heading
But there's grace and beauty in the wreckage
This mess made the map
I ain't mad at that
And though I wouldn't do it again
Doesn't mean that I ain't shaped
By my sin
She was a rebel and a drunk
You know I used to blow her up
Can't reset her or delete her
I stand by the b-sides
And besides...
I fixed her up
Renovation at its finest
There may be ashes but I'm rising cuz...
Where I been ain't where I'm heading
But there's grace and beauty in the wreckage
This mess made the map
I ain't mad at that
And though I wouldn't do it again
Doesn't mean that I ain't shaped
By my sin
I ain't the wild child I was back then
But I still let her out to play now and then
I might be made in his image
But I'm...
Shaped by my sin
Guitar Solo
Where I been ain't where I'm heading
But there's grace and beauty in the wreckage
This mess made the map
I ain't mad at that
And though I wouldn't do it again
Doesn't mean that I ain't shaped
By my sin