Track 07  ·  Act One  ·  Spiritual  ·  Song One-Sheet

Making God Laugh

Track
07 of 26
Act
Act One · 7 of 13
Key
A Major
BPM
85
Time sig
4/4
Runtime
2:49
ISRC
QTA6R2600007
Status
Unreleased
Work TapeVoice memo
Not on file yet.
DemoPre-production
Final MasterSam Moses, Sept 2026
Pre-ProPre-Production SheetDemo Approved - Cohesion Work Needed
Sheet header
Key
A Major
BPM
85
Artist
Kris Bradley
Co-written with
Blue Foley, Lee Tucker & Bronwen Hughes
Status
Demo Approved - Cohesion Work Needed
Core Concept
"You wanna make God laugh? Just tell him your plans."
There's a still small voice Kris has always known was God pointing her in the right direction. And she has a long history of ignoring it, bulldozing through with her ego in the driver's seat, and then getting hit upside the head with a 2x4 when it all falls apart. This song is the wry, self-aware accounting of that pattern — told with humor because that's the only way to survive it. The harder you hold the reins, the funnier it gets from up above.
Emotional Arc
Opens with the universal truth delivered as a dare: want to make God laugh? Here's how. Verse 2 is the same energy but with a specific example — trying to leave music behind for a stable job, her body saying no while her ego said "I do." The bridge of verse 3 is the confession: ignored the still small voice till it became a roar, then the universe hit with a 2x4. The outro is the communal rowdy release — everyone has done this. Everyone keeps doing it. That's the joke.
Thematic Language
Pushing on a closed pull door
The still small voice ignored until it roars
The 2x4 the universe swings
My ego said "I do" when my body said no
The thing you think you need most is the thing to let go
Oh there I go again making my own plans
Sonic Palette
Overall Vibe
Pop country — the demo sounds like a smash hit. The challenge is pulling it into cohesion with the rest of the record without losing what makes it work.
Demo Status
Demo is excellent. Direction approved. Primary production challenge is cohesion with the album's more vintage Americana feel. Open to co-producer and player input to bridge that gap.
Outro Tag
Record a big genuine belly laugh from Blue Foley to drop at the very end of the song after the gang vocals fade. The perfect punctuation — God laughing back.
Gang Vocals
The outro gang vocals are a defining moment. Think rowdy men in an Irish pub chanting together — not polished background vocals, not a choir. Raw, communal, slightly chaotic energy. The two lyric layers overlapping ("Making God Laugh" and "Oh there I go again") should feel like a bar full of people who all recognize themselves in the song.
Cohesion
This, Shapeshifter, and I Wonder What It's Like are the three songs most at risk of feeling sonically separate from the rest of the record. The solution for all three is the same: layer in organic, Americana-flavored instrumentation that pulls them toward the album's vintage warmth. Co-producer input is especially valuable here.
Key Production Moment
Outro — The Gang Vocal Chant

Two lyric threads overlapping simultaneously: "Making God Laugh" and "Oh there I go again / Making my own plans / Oh there I go again making God laugh." The energy is rowdy, communal, Irish pub chanting. Not polished background vocals. Not a choir. A room full of people who all know this feeling. This moment should feel like the whole bar joined in.
Album Arc Note
Modern/Vintage Cohesion — Same Challenge as Shapeshifter
Making God Laugh, Shapeshifter, and I Wonder What It's Like are the three songs most at risk of feeling sonically separate from the rest of the record. The solution for all three is the same: layer in organic, Americana-flavored instrumentation that pulls them toward the album's vintage warmth without losing what makes each demo work. Co-producer input is especially valuable on all three.
Instrumentation
Drums
Bass
Acoustic Guitars
Electric Guitars
Organ / Keys (opt.)
Fiddle (opt.)
References
Ashley McBryde — Styrofoam
John Prine
Jelly Roll
Walker Hayes
Demo Prompt
Modern country with a raw work-tape spirit. Strong female lead with cool talk-sing verses -- loose, rhythmic, almost spoken swagger. Conversational, honest, lived-in, emotionally sharp. Lead vocal intimate and up front with a gritty answering background vocal that slips in like a second thought. Start sparse: acoustic guitar, light percussion, warm bass, subtle steel. Verses feel personal, wry, slightly tense. Refrains open wider into a sticky hook with lift and release. Country at the core with an earthy, rootsy edge and dry human vocal texture. Build the ending into a layered singalong -- overlapping staggered entrances in the round, gang vocals, emotional melodic stacking. Final choruses feel live, loose, escalating, imperfect, and powerful. Like a room joining in all at once with reckless heart and soul.
Music Video / Visualizer
Music Video Concept — In Development

Core visual: Kris lost — in the woods, at sea, wandering through unfamiliar terrain. The tone is lighthearted and self-aware, not dramatic. She's lost but laughing about it. The humor and pop energy of the song should drive the visual — this isn't a brooding wander, it's a "well, here I am again" kind of lost.

Easter Egg thread: The "lost / finding your way" imagery connects directly to Shaped By My Sin: "this mess made the map." Making God Laugh is the getting lost. Shaped By My Sin is realizing the mess was the directions all along. The visual can lean into maps, compasses, or trail markers that are clearly wrong — played for humor.

Reference: NF — Hope (music video) — love the lost-in-the-woods and lost-at-sea imagery. Our version needs to be lighter and more playful to match the song's tone, but the visual language of being untethered in nature is the right starting point.

Open Questions
What organic instrumentation bridges this into the album's vintage world without killing the pop energy?
Record Blue Foley's belly laugh for the outro tag — capture in session
Music video — develop lost-in-nature visual concept further, scout locations
MarketingMarketing Plan12 buckets · how it reaches people
Positioning & release

Song Sheet - Disc One / Single / Date TBD (the Sept 18 slot went to Shapeshifter)

Disc OneSingle · TBDSpiritual
📖 Story
Layer 3 — The Public Story Fan-facing

Fan hook. If you've ever caught yourself pushing on a closed pull door — this song is for you.

I started taking vocal lessons seriously this year. At 42. Better late than never, right.

The first thing my teacher told me was that I'd been pushing way too hard. For years. The way I'd been hitting high notes — squeezing, straining, white-knuckling my way to the top of my range — was the opposite of what was supposed to happen. The high notes don't come from more effort. They come from less. You stop squeezing and they open up.

I sat with that for about three days.

Because that is the entire story of my life. I have always taken the longest possible distance between two points. I've made everything harder than it needed to be. I've put my blinders on and bulldozed through when my body was screaming no and my ego kept saying yes anyway.

The whole time I thought I was being independent. Forging my own path. Doing it my way.

I was just making God laugh.

There were always signs. There were always people who showed up to point me toward an easier way. I never listened. I had to learn it through trial and error. Every single time.

Now, before you press play, I should warn you. Knowing me, you probably expect this to be the song where I show off the high notes I just learned how to actually hit. It's not. Making God Laugh is one of the lowest songs I sing on the whole record. Almost rappy. No high notes anywhere. LOL. Of course.

The lesson of this song isn't can you hit the high note. The lesson is what happens when you finally stop trying to.

"I have always taken the longest possible distance between two points."
Layer 1 — Bullet Framework Internal anchors
Memory anchors, angles, and key lyric placement. To add.
Layer 2 — Performance Scripts Short · long · stage banter
Short, long, and stage-banter versions. To add.
🎵 Lyrics
Written by Kris Bradley, Blue Foley, Lee Tucker & Bronwen Hughes · © Boomfox Productions
Verse 1You wanna make God laugh
Just tell him your plans
Hold tight to the reins
Try to forge your own path
Try to take on his role
Like you're in control
Catch yourself pushing
On a closed pull doorChorusOh there I go again
Making my own plans
Oh there I go again making God laughVerse 2Like when I try to map out life
with straight white lines
But the curveball
Hits me in the head everytime
You wanna make God laugh
Bitch about your past
Piss and moan about what's wrong
And everything you don't haveChorusOh there I go again
Making my own plans
Oh there I go again making God laughVerse 3Like this one time
I tried to leave music behind
Get a big girl job
For stability.... right?

Had my blinders on
Bulldozed on through
When my body said no
My ego said "I do"

Ignored the still small voice
Till it turned to a roar
And the universe hit me with a 2x4
Funny how the thing you think you need the most
Is the very same thing you need to let goChorusGo...
There I go again
Making My Own plans
Oh there I go again making God LaughBridgeIf you wanna learn a lesson
Just forget to count your blessingsChorus (Repeat)Oh...
There I go again
Making My Own plans
Oh there I go again making God Laugh
Oh...
There I go again
Making My Own plans
Oh there I go again making God Laugh
Oh...
There I go again
Making My Own plans
Oh there I go again making God LaughBgv In Back Of /At Same Time In ChorusWhoa
Making God laugh
Whoa
Making God laugh
Who Making God laugh
We're making God laugh
😤 Pain Points
Placeholder — to be filled.
🎣 Hooks & Opening Lines
  • Nobody Wants to Hear — Make God Laugh versions: "be this honest" / "greenlit going to Nashville" / "in the music industry asked what she had to say" / "hyperfocusing for two years and writing 26 songs" — full lines in the Hook Library bucket below.
  • Nature documentary narration hooks (Swipe #016): "She has made plans. God is laughing." / "Here we observe the independent artist in her natural habitat."
  • "My videographer asked what I was on. I said the spectrum. He said okay." — all hook versions in the cartoon animals bucket below.
  • Hustle culture pivot hooks — Make God Laugh version: the "tell God your plans" angle (Swipe #007 stitch → Making God Laugh)
  • Cartoon animals MV hooks — below.
  • Sounds like: TBD — brain dump needed from KB
🪞 Nobody Wants to Hear - Make God Laugh Priority Hooks
  • "Nobody asked a 43-year-old woman to be this honest. She was anyway."
  • "Nobody greenlit a 43-year-old woman going to Nashville to record the record of her life. She went anyway."
  • "Nobody in the music industry asked a 43-year-old woman what she had to say. Here it is."
  • "Nobody told a 43-year-old woman that hyperfocusing for two years and writing 26 songs was unusual behavior."
Make God Laugh - Cartoon Animals / The Spectrum Moment
😂 Make God Laugh - Music Video Content Hook
  • The origin: KB pitched her videographer a music video with cartoon animals. He asked what she was on when she came up with that. She said "the spectrum." He didn't have a follow-up question. This is already a piece of content.
  • Best delivery: "My videographer asked me what I was on when I pitched him cartoon animals for a music video. I said the spectrum. He said okay." — the "he said okay" is the button. Don't add anything after it.
  • Most shareable: "The spectrum is a hell of a drug. Cartoon animals. Music video. Make God Laugh. That's all I'll say."
  • Best comment bait: "Make God Laugh music video update: there will be cartoon animals. My videographer asked what I was on. I said the spectrum. God is laughing."
  • Best for the double album / AuDHD story: "Normal people pitch music videos with performance shots and mood boards. I pitched cartoon animals. My videographer asked what I was on. I said the spectrum. He's still my videographer."
  • Execution: Talking head, casual. Could also be a text-on-screen format with a clip of KB looking completely unbothered. The delivery is the joke — keep it deadpan.
  • When to post: During MV pre-production or filming. "Behind the scenes of the most unhinged music video decision I've ever made" is its own content series.
  • Note for Make God Laugh song sheet: Log the cartoon animals MV concept and the spectrum content moment when that sheet is built.
🎬 Content Formats & Video Ideas
  • Cartoon animals music video concept
  • "My videographer asked what I was on. I said the spectrum. He said okay." — full hook options
  • Hustle culture stitch → Making God Laugh pivot version
Swipe #016 - Instagram Reel / Nic D - Nature Documentary Narration → Song Lyric Format
  • Source: Instagram Reel — https://www.instagram.com/reel/Daq47u_SDX_/?igsh=aTJnZDg3cTdobmdm
  • What it is: Nic D is followed around by a camera crew in a deadpan nature documentary style — old-timey narration identifying him as a "caveman" who "gets food for the tribe" and "makes fire." Then it cuts to the song and the lyric is literally "I'm a caveman, I make fire." The narration setup and the song payoff are the same line. Funny, well-executed, totally ownable format.
  • Why KB dropped it: The format is reusable for any song where a lyric is specific and funny enough to become the punchline. The genius is that the nature documentary narration sets up the absurdity and then the song delivers it straight — making the lyric funnier in context than it would be alone.
  • The format principle: Deadpan nature documentary narration describes KB doing something ordinary → the narration language mirrors a lyric → hard cut to song where that exact lyric plays. The setup and payoff are the same words.
  • Best MCA candidates:
  • Make God Laugh — "Here we observe the independent artist in her natural habitat. She has made plans. God is laughing." → cut to Make God Laugh chorus. This one writes itself.
  • You Better Fix My Life — "Here we observe the specimen on her treadmill. She has been told this will fix her life. She is still waiting." → cut to Fix My Life. Pairs perfectly with the treadmill music video concept.
  • Walking Contradiction — "Here we observe a creature that defies easy classification. Scientists have been unable to place her in a single category." → cut to Walking Contradiction.
  • Shaped By My Sin — "Here we observe the subject adding cowbell. She has no regrets." → cut to Shaped By My Sin.
  • Execution note: The narration voice matters — needs to be deadpan, slightly old-timey, completely sincere. KB doing her own VO in that register would be funnier than sourcing someone else. The comedy lives in her playing it completely straight.
📝 Captions
Placeholder — to be filled.
📅 Pre & Post Release Checklist
Placeholder — populate using the Six-Week Cycle template on the Strategy page.
💿 Sync & Licensing
Placeholder — to be filled.
🪧 Billboard - One Per Song
  • Confirmed: every single in the campaign gets its own billboard. Not a phase-4 or cash-flow-permitting extra — a locked part of each release.
  • Billboard copy: To add — write this song's billboard line here.
LyricsLyrics2:49
Written by Kris Bradley, Blue Foley, Lee Tucker & Bronwen Hughes  ·  © Boomfox Productions
You wanna make God laugh
Just tell him your plans
Hold tight to the reins
Try to forge your own path
Try to take on his role
Like you're in control
Catch yourself pushing
On a closed pull door
Oh there I go again
Making my own plans
Oh there I go again making God laugh
Like when I try to map out life
with straight white lines
But the curveball
Hits me in the head everytime
You wanna make God laugh
Bitch about your past
Piss and moan about what's wrong
And everything you don't have
Oh there I go again
Making my own plans
Oh there I go again making God laugh
Like this one time
I tried to leave music behind
Get a big girl job
For stability.... right?

Had my blinders on
Bulldozed on through
When my body said no
My ego said "I do"

Ignored the still small voice
Till it turned to a roar
And the universe hit me with a 2x4
Funny how the thing you think you need the most
Is the very same thing you need to let go
Go...
There I go again
Making My Own plans
Oh there I go again making God Laugh
If you wanna learn a lesson
Just forget to count your blessings
Oh...
There I go again
Making My Own plans
Oh there I go again making God Laugh
Oh...
There I go again
Making My Own plans
Oh there I go again making God Laugh
Oh...
There I go again
Making My Own plans
Oh there I go again making God Laugh
Whoa
Making God laugh
Whoa
Making God laugh
Who Making God laugh
We're making God laugh
AdminRegistration & RightsISRC · BMI · UPC · credits
Registration
ISRC
QTA6R2600007
Key
A Major
BPM
85
ISRC source
Boomfox prefix
UPC (album)
To be assigned
BMI work registration
Registered
Publisher
Kris Bradley Music (BMI)
IPI 00821161184
Writer account (BMI)
KAMAI BRADLEY KRISTI LEAH K (550220798)
Writers
Kris Bradley, Blue Foley, Lee Tucker, Bronwen Hughes
Duration
2:49
Master format
44.1k/16
Time signature
4/4
Recording year
2026
Release status
Unreleased - single postponed
Label
Boomfox Productions LLC
Producers
Kris Bradley, Eric Torres, Blue Foley
Mix
Eric Torres
Mastering
Sam Moses
Players on the record
  • Aksel Coe - drums and percussion
  • Eric Torres - programming and percussion
  • Steve Mackey - bass
  • Rob McNelley - electric guitar
  • Shaun Richardson - acoustics
  • John Henry Trinko and Eric Torres - keys/synth
  • Xander Hitzig - fiddle
  • Jen Friend and Eric Torres - BGVs
  • Eric Torres and Jeff Zacharski - beatboxing
  • Blue Foley, Lee Tucker, Mike Moore, Bronnie Hughes, Mason Levi, Kelly Alayna, Stone Aielli, Jeff Zacharski - BGVs
Where the files live
  • Master WAV: MCA Masters - Sept 8 (Google Drive)
  • ISRC allocation: MCA ISRC Master List (Drive, Admin folder)
  • Credits: Album Credits sheet (Drive)
  • BMI: applications.bmi.com, account KAMAI BRADLEY KRISTI LEAH K (550220798)