Track 17  ·  Act Two  ·  Generational  ·  Song One-Sheet

The Apple and the Tree

Track
17 of 26
Act
Act Two · 4 of 13
Key
F Major
BPM
90
Time sig
4/4
Runtime
3:16
ISRC
QTA6R2600017
Status
Unreleased
Work TapeVoice memo
DemoPre-production
Final MasterSam Moses, Sept 2026
Pre-ProPre-Production SheetDemo Approved / Direction Locked
Sheet header
Key
F Major
BPM
90
Artist
Kris Bradley
Written
Solo - on the plane from Nashville
Status
Demo Approved / Direction Locked
Act 2, Song 9 — Solo Write
Core Concept
"We both were just kids. Working with the tools we had."
A song about generational inheritance, not from a place of blame but from a place of recognition. Kris and her mother are both awake and aware. They both know crazy runs in the family. This song honors the fact that they are breaking generational trauma together, not against each other. Her mom was 15 when she got pregnant, 16 when Kris was born. In many ways they grew up together, learned together, and are still figuring it out side by side. That's the love at the center of this song.
Companion song: "Babies Raising Babies in the 80s" shares the same backstory from a different angle.
Emotional Arc
Opens with the warmth and pride of being her mother's daughter, the spitting image, the smile, the way. Then watches that light dim as real life piled in. Verse 2 sits with the weight of it honestly, the heaviness, the wish for something steadier, without putting that on her mom. The chorus is the resolution: not healed, but listening. Not fixed, but willing to be the ones who break it first.
Thematic Language
Generational patterns as inheritance, not fault
Babies raising babies — growing up together
Hurt people hurt people, but awareness is the break
Hand me down genes and what we do with them
Being the ones to break it first
From resisting to finally listening
Sonic Palette
Demo Status
Demo direction is solid and locked. Open to whatever magic players bring in the studio, but the foundation is right.
Gospel Vocals
A defining element of the demo. Keep and develop. This is part of what makes the song feel communal and bigger than one person's story.
Groove
Stomp, clap. Cinematic and theatrical without losing the intimacy of the story. Part of the Greatest Showman thread running through the album.
Guitars
The riffs in the demo are a keeper. Let the players elevate in session.
Chord Changes
The unexpected chord changes in the demo create real dissonance and friction. This is intentional and right. Protect it. The harmonic tension mirrors the emotional tension of the story.
Instrumentation
Acoustic Guitars
Dobros
Programmed Stomp/Clap Drums
Light Percussion
Shaker (opt.)
Tambourine (opt.)
Open to additional suggestions from the producer.
Album Arc Note
Thematic Thread — Greatest Showman Vibe
The stomp-clap energy here connects this song to Midnight Church Aftermath, Renovate Me, and You Better Fix My Life. All four share a cinematic, theatrical groove. Worth being intentional in production about how these moments land across the record so they feel like a cohesive motif rather than a coincidence.
Demo Prompt
Mid-tempo modern country. Acoustic guitar-driven foundation with tight, percussive strumming and subtle grit. Groove is stomp-based: boom, boom, boom, snare, boom, boom, boom -- slightly swung, human feel. Warm electric guitar textures, light slide accents, restrained bass locking with the kick. Drums minimal but punchy with organic room tone. Background vocals stacked, gospel-tinged but subtle -- supporting without overpowering. Production raw but polished. Acoustic-forward mix, modern country edge with a touch of blues and soul influence. Use space and dynamics intentionally, no overproduction. Follow the demo closely.
References
KT Tunstall — Black Horse and the Cherry Tree
Music Video / Visualizer
Visualizer TBD
Open Questions
Ask Eric: should we just program the drums on this one and skip Dark Horse Studios? It's mainly acoustics, dobro, and stomp claps.
Gospel vocal arrangement — how many voices, live or layered?
Preserve the dissonant chord changes from demo in final arrangement
Visualizer concept TBD
Act 2, Song 9 — Solo Write
MarketingMarketing Plan14 buckets · how it reaches people
Positioning & release

Song Sheet - Disc Two / Album Track

Disc TwoAlbum TrackGenerational

This page is scaffolded and ready. Buckets fill in as KB brain-dumps the song. Structure matches every other song sheet so nothing has to be redesigned later.

📖 Story
Layer 3 — The Public Story Fan-facing

Fan hook. If you've spent years untangling something with your mother, and somewhere along the way it turned into love — this song is for you.

My mom was sixteen when she had me.

That means she and I didn't really grow up like a mother and a daughter. We grew up like sisters who happened to be raising each other. Which is its own kind of beautiful, and its own kind of complicated. By the time I was fifteen, I had moved out. We had years of distance after that. Years of tension. Years of trying to figure out who we were to each other when neither of us had ever really had the chance to be the version of mother and daughter the world expects.

It took a long time, but we found our way back to each other.

What's wild is that now, as adults, we talk about the patterns. The generational stuff. The things her mom passed down to her, and the things she passed down to me, and the things I get to choose not to pass down to anyone else. We name it out loud. We laugh about some of it. We cry about other parts of it. And then we keep going.

We're not just dealing with the inheritance anymore. We're healing it. Together.

This song is what that healing sounds like.

"We're not just dealing with the inheritance anymore. We're healing it. Together."
Layer 1 — Bullet Framework Internal anchors
Memory anchors, angles, and key lyric placement. To add.
Layer 2 — Performance Scripts Short · long · stage banter
Short, long, and stage-banter versions. To add.
🎵 Lyrics
Written by Kris Bradley · © Boomfox Productions
VerseSpitting image...
They used to say
Had her smile
And her kinda way
I took no greater pride
Then being by her side
Always lookin up at her
With those please love me eyes

But as the years grew by
So did the stress
And the bills piled high
When daddy left
And I watched her light dim
As she carried all that weight
And now I'm feeling mine slip
Running at the same paceChorusI thought I could heal it
But ya know I still feel it
In the parts of myself
I don't always see
I go from resistin'
To finally listenin'
To who I've always been
Underneath these hand me down genes
And like a spade is just a spade
I think we all can relate
To the apple and the treeVerse 2Hurt people
Hurt people they say
Generations
Lead us in their own way
No one signed up for this
We both were just kids
Working with the tools we had

But some days I wish ...
I didn't feel so heavy
I wonder what it's like ...
To feel so steady...
But I don't put that on her
Yeah, we both got this curse
Running through our blood
Well the ones to break it firstChorusI thought I could heal it
But ya know I still feel it
In the parts of myself
I don't always see
I go from resistin'
To finally listenin'
To who I've always been
Underneath these hand me down genes
And like a spade is just a spade
I think we all can relate
To the apple and the tree
😤 Pain Points
Pain points list to be added.
🎣 Hooks & Opening Lines
Hooks and opening lines to be added.
🪞 Nobody Wants to Hear Series
Song-specific versions to be added.
📱 POV Series
POV lines to be added.
🎬 Content Formats & Video Ideas
Video concepts to be added.
🔗 Stitch Targets & Seed Videos
Seed videos, creator targets, and hashtag bank to be added.
📝 Captions
Captions list to be added.
📅 Pre & Post Release Checklist
Populate from the Six-Week Cycle template on the Strategy page.
🎥 Music Video
Music video concept to be added.
💿 Sync & Licensing
Sync and licensing notes to be added.
📰 Press & Outreach
Pitch angles, target outlets, and outreach status to be added.
🪧 Billboard - One Per Song
  • Confirmed: every single in the campaign gets its own billboard. Not a phase-4 or cash-flow-permitting extra — a locked part of each release.
  • Billboard copy: To add — write this song's billboard line here.
LyricsLyrics3:16
Written by Kris Bradley  ·  © Boomfox Productions
Spitting image...
They used to say
Had her smile
And her kinda way
I took no greater pride
Then being by her side
Always lookin up at her
With those please love me eyes

But as the years grew by
So did the stress
And the bills piled high
When daddy left
And I watched her light dim
As she carried all that weight
And now I'm feeling mine slip
Running at the same pace
I thought I could heal it
But ya know I still feel it
In the parts of myself
I don't always see
I go from resistin'
To finally listenin'
To who I've always been
Underneath these hand me down genes
And like a spade is just a spade
I think we all can relate
To the apple and the tree
Hurt people
Hurt people they say
Generations
Lead us in their own way
No one signed up for this
We both were just kids
Working with the tools we had

But some days I wish ...
I didn't feel so heavy
I wonder what it's like ...
To feel so steady...
But I don't put that on her
Yeah, we both got this curse
Running through our blood
Well the ones to break it first
I thought I could heal it
But ya know I still feel it
In the parts of myself
I don't always see
I go from resistin'
To finally listenin'
To who I've always been
Underneath these hand me down genes
And like a spade is just a spade
I think we all can relate
To the apple and the tree
AdminRegistration & RightsISRC · BMI · UPC · credits
Registration
ISRC
QTA6R2600017
Key
F Major
BPM
90
ISRC source
Boomfox prefix
UPC (album)
To be assigned
BMI work registration
Registered
Publisher
Kris Bradley Music (BMI)
IPI 00821161184
Writer account (BMI)
KAMAI BRADLEY KRISTI LEAH K (550220798)
Writers
Kris Bradley
Duration
3:16
Master format
44.1k/16
Time signature
4/4
Recording year
2026
Release status
Unreleased
Label
Boomfox Productions LLC
Producers
Kris Bradley, Eric Torres, Blue Foley
Mix
Eric Torres
Mastering
Sam Moses
Also on file
  • Acapella V2 (worktape) — open
Where the files live
  • Master WAV: MCA Masters - Sept 8 (Google Drive)
  • ISRC allocation: MCA ISRC Master List (Drive, Admin folder)
  • Credits: Album Credits sheet (Drive)
  • BMI: applications.bmi.com, account KAMAI BRADLEY KRISTI LEAH K (550220798)