Track 08  ·  Act One  ·  Duet  ·  Song One-Sheet

Small Talk

Track
08 of 26
Act
Act One · 8 of 13
Key
Ab Major
BPM
92
Time sig
4/4
Runtime
3:17
ISRC
QTA6R2600008
Status
Unreleased
Work TapeVoice memo
DemoPre-production
Final MasterSam Moses, Sept 2026
Pre-ProPre-Production SheetFeatured Artist TBD / Blue Foley Bonus Track
Sheet header
Key
Ab Major
BPM
92
Artist
Kris Bradley
Co-written with
Blue Foley
Status
Featured Artist TBD / Blue Foley Bonus Track
Act 1, Track 3 — Duet
Core Concept
"I don't want to know what you do or how's the weather. I want to know what keeps you up at night."
Kris has always been wired for depth. The obligatory pleasantries, the polite check-ins, the performative how-are-yous that nobody actually means — they drain her. She is a deep and wide, one-on-one person. This song is the honest, slightly impatient, tongue-in-cheek confession of someone who would rather skip straight to the real thing every single time.
Emotional Arc
Opens with the flip of the script — getting weirded in instead of weirded out, finding a kindred spirit in someone who just unloads their real self. Verse 2 goes even deeper, kitchen table talk, darkest thoughts, what keeps you up. The bridge is the punchline and the manifesto: here's a full list of everything she won't talk about. The chorus lands it each time with a wink and a refusal. Playful but absolutely meant.
Thematic Language
Weirded in, not weirded out
Info dumps as a love language
Kitchen table talk over cocktail party talk
Politeness as a waste of breath
Cut the small talk, give me what you've got
Sonic Palette
Overall Vibe
Playful, tongue-in-cheek, classic country. Warm and conversational. Follow the demo direction.
Format
Finding a feature artist with a similar following for the duet. Also recording a solo version. Blue Foley bonus track down the line.
Demo Status
Direction approved. Two demos exist (duet + solo). Demo is for structure — take liberties to bring it into the same tone as the references.
This is country, but it needs to feel appropriate to the record — not too honky tonk. Same approach as You Better Fix My Life: classic country DNA that fits the Midnight Church Aftermath world. Open to collaboration from the band and co-producers on bringing this to life.
Instrumentation
Drums
Bass
Acoustic Guitar
Dobro
Lap Steel / Pedal Steel
Tambourine
Fiddle (opt.)
Follow the demo. Open to collaboration from the band and co-producers on instrumentation choices.
References
Kacey Musgraves — classic country wit
John Prine — In Spite of Ourselves
Lainey Wilson — Counting Chickens
Counting Chickens is the sweet spot for this song's production target — weird and upbeat with a classic acoustic country foundation, but with a modern approach in the playing, production, and mix. That balance of old soul and fresh execution is exactly what Small Talk is going for.
Demo Prompt
Rootsy acoustic-forward country-folk duet. Fingerpicked guitar, brushed percussion, upright bass, soft shaker, spontaneous hand claps. Two voices trading lines naturally -- witty, playful, conversational. Close-mic'd vocals, dry-to-light reverb, full of personality. Small-room ambience (low TV murmur, chair creaks, glass clinks). Simple, hooky, talk-sing friendly. Loose Americana groove, organic singalong chorus. No glossy pop. Acoustic, earthy, intimate. Light harmony stacks.
Easter Egg
Verse 2 — "I'm talking kitchen table talk"

Direct reference to the album track Kitchen Table Talk (Act 2). The phrase plants the seed early and rewards listeners who know both songs.
Music Video / Visualizer
Concept TBD
Open Questions
Identify featured artist candidates — similar following, complementary vocal
Music video or visualizer direction TBD
Act 1, Track 3 — Duet
MarketingMarketing Plan10 buckets · how it reaches people
Positioning & release

Song Sheet - Disc One / Story Single

Disc OneStory SingleDuetAUDHD / NeurodivergentFull Production
The Story — What This Song Is Really About
Small Talk is about the exhaustion of being wired differently in a world that runs on surface-level social currency. Hating the performance of casual conversation — the weather, the pleasantries, the reading between lines that no one ever wrote down — while desperately wanting the real thing. "I never understood the between the lines" isn't a complaint. It's a confession. And "you think you weirded me out when you weirded me in" is the flip — finding the person who makes the weirdness feel like belonging. AUDHD at its core, but universal for anyone who's craved depth in a shallow-conversation world.
📖 Story
Layer 3 — The Public Story Fan-facing

Fan hook. If you've ever wanted to skip the weather conversation and go straight to what's actually wrong — this song is for you.

I have never been good at small talk.

Asking someone how they are when neither of us actually wants the real answer feels like a tiny lie we've all agreed to tell each other. I don't really get it. I'd much rather skip the script and go straight to the part where you tell me what you're actually thinking about at 2 a.m.

This makes me bad at parties.

It also makes me very good at one specific thing: meeting someone who breaks the rules with me first. Once, the very first time I met someone, they told me their entire life story before we'd even ordered coffee. Childhood, divorce, the weird stuff, all of it. Most people would have been weirded out.

I remember thinking the opposite. You didn't weird me out. You weirded me in.

That's my kind of conversation. That's my kind of person. And that's where this song came from.

"You didn't weird me out. You weirded me in."
Layer 1 — Bullet Framework Internal anchors
Memory anchors, angles, and key lyric placement. To add.
Layer 2 — Performance Scripts Short · long · stage banter
Short, long, and stage-banter versions. To add.
🎵 Lyrics
Written by Kris Bradley & Blue Foley · © Boomfox Productions
Verse 1You think you weirded me out
But you weirded me in
When you told me your life story
Over last night's bath tub gin
And now you've got a friend for a life
Info dump on me all night
I'm tired of answering "how ya been?
Just to be politeChorusIf it ain't real I don't want it
If you gotta force it, or flaunt it
Then just keep it yourself cuz I'm alright
If you ask me what I do, or how's the weather
I'm just thinking please do better
I know it's what we've all been taught
Ya waste your breath, ya piss me off
Cuz I ain't big on small talkVerse 2I never understood
Reading 'tween the lines
Just tell it like it is
So you don't have to say it twice
I wanna know your darkest thoughts
I'm talking kitchen table talk
I wanna know what keeps you up at nightChorusIf it ain't real I don't want it
If you gotta force it, or flaunt it
Then just keep it yourself cuz I'm alright
If you ask me what I do, or how's the weather
I'm just thinking please do better
I know it's what we've all been taught
Ya waste your breath, ya piss me off
Cuz I ain't big on small talkBridgeIf you start out small, I'm just gonna shut you down
So here's what I ain't talking about...
The way the work week's goin'
The way the wind's been blowing
Did the dodgers win
Or How ya been
Just cut the shit and gimme
What cha got....
Cuz I ain't big on small talkChorusIf it ain't real I don't want it
If you gotta force it, or flaunt it
Then just keep it yourself cuz I'm alright
If you ask me what I do, or how's the weather
I'm just thinking please do better
I know it's what we've all been taught
Ya waste your breath, ya piss me off
Cuz I ain't big on small talk
Audience Pain Points - What This Song Speaks To
Pain Points
  • Performing small talk for decades while screaming inside — never knowing why it was so exhausting
  • Being called "too much" or "too intense" by people who couldn't keep up with real conversation
  • Feeling like everyone got a social rulebook you never received
  • Masking so well for so long you stopped knowing what "yourself" actually felt like
  • Meeting someone who finally matched your depth and realizing you'd been starving for that your whole life
  • Not having the language (AUDHD, neurodivergent) until well into adulthood — and the grief that follows
  • The exhaustion of masking 24/7 around most people — and the overwhelming relief of that one friend (or those few people) where the mask just... comes off
  • Sitting with that person for hours, pouring everything out, feeling completely understood — and realizing that's what you've been starving for your whole life
  • The contrast between who you perform for the world and who you actually are — and how rare it is to find someone who gets to see both
Opening Hooks - Scroll Stoppers for Short-Form Video
Opening Hooks
  • "If you've ever had to mentally rehearse a casual conversation before you had it — this song is for you."
  • "For everyone who's been in a room full of people and still felt completely alone because nobody was saying anything real."
  • "I wrote this for the person who gets called 'a lot' by people who just can't handle depth."
  • "If small talk has always felt like a test you never got the study guide for — I see you."
  • "This is for the person who found their person — the one who didn't run when you stopped performing normal."
  • "Wrote this before I had the word for it. Turns out the word was AuDHD."
  • "For anyone who has ever loved someone because they weirded you in instead of out."
  • "For everyone who has that one friend where you sit down and suddenly it's 3am and you've said everything you've never been able to say to anyone else."
  • "This is for the person who makes you feel safe enough to take your mask off."
  • "If you have to perform for most people but there's that one person where you just... don't — this song is for both of you."
  • "Neurodivergent people mask all day, every day. And then there's that one person. You know who they are."
  • "For the friend who gets your weird. The one you can sit with for six hours and it still doesn't feel like enough."
🎣 Hooks & Opening Lines - Small Talk (Brief Additions)
  • "Weirded me in" hooks — the lyric living in the wild (Swipe #015 adjacent)
  • Masking / safe person hooks: "I can't do small talk but I found my person" / "the one person you don't have to mask for"
  • AuDHD social connection hooks — the exhaustion of small talk as a neurodivergent experience
  • "God I hate / God I love" format — Small Talk version: "God I hate that I can't do small talk" → "God I love that I found someone I don't have to"
  • Sounds like: Kacey Musgraves adjacent — warm, witty, emotionally honest
  • Seed video #3 (weirded me in — HIGH PRIORITY): https://www.instagram.com/reel/DZqiRBNO2g8/
Stitch / Source Video Strategy - Lyric-Matched Cuts
Stitch Targets - Find These Videos, Open With Them, Hard Cut to Lyric
  • Seed video #1 (logged): https://www.tiktok.com/t/ZP8gkVsvC/ — engaged audience, strong tone match. Use as reference first.
  • Seed video #3 (logged — "weirded me in" — HIGH PRIORITY): https://www.instagram.com/reel/DZqiRBNO2g8/ — creator saying "you think you weirded me out but she weirded me in." This is the lyric living in the wild. Two options: stitch it directly with KB cutting to that exact lyric in the song, OR use it as inspiration to create KB's own version of the same story. Either way this is the highest-priority stitch target for Small Talk — the audience has already made the connection, KB just needs to meet them there.
  • Cut 1: Find creator talking about hating small talk / not getting social cues → cut to: "I never understood the between the lines"
  • Cut 2: Find creator talking about being "too much" or weirding people out → cut to: "you think you weirded me out when you weirded me in"
  • Cut 3: Find creator talking about masking / performing small talk while exhausted → cut to chorus
  • Cut 4 — new: Find creator talking about that one friend where the mask comes off / sitting for hours just talking → cut to: "a safe place to take your mask off"
  • Search terms: "autism hate small talk" / "ADHD social cues" / "reading between the lines neurodivergent" / "found my person AuDHD"
  • Top hashtags to search: #actuallyautistic #autisticadult #AuDHD #ADHDtiktok #latediagnosedautistic #smalltalkistheworst #neurodivergent
  • Work tape: [ Log the work tape file or recording location here when found — even a bad phone memo works. Format: open with 10–20 sec of raw tape → transition to finished track. ]
Top Creators to Source / Stitch From
  • @paigelayle — 2.6M followers, AuDHD. Goes viral on lived experience. Best for the "between the lines" moment.
  • @morgaanfoley — 634K followers, AuDHD. Covers masking and social exhaustion. Good for the small talk performance angle.
  • @audhdlauren — 35.7K followers, psychotherapist + AuDHD coach. High credibility, loyal audience.
Caption Options - Ready to Copy/Paste
Captions
  • "wrote this for everyone who never got the memo about small talk"
  • "I never understood the between the lines — and I finally stopped pretending I did."
  • "you think you weirded me out when you weirded me in. that's the whole song."
  • "for the person who has to rehearse casual conversation. you're not broken. you're just wired differently."
  • "this one's for the people who skip the surface and go straight to the soul."
  • "found the person who matched my weird. wrote a song about it."
  • "." [just a period — let the lyric do the work. high performer for this audience.]
  • "for the friend you can sit with for six hours and still not be done talking."
  • "a safe place to take your mask off. that's all this song is about."
  • "most people get the performance. a few people get the real thing. this song is for those few people."
Marketing Expert Notes - What You Might Be Missing
  • The duet partner is a marketing asset. If Blue Foley is on this track, his audience is a second launch pad. Don't treat the feature as just a vocal credit — coordinate release content across both audiences simultaneously. Two people who genuinely get each other is the whole thesis of the song, visible in real life.
  • Comments are content. When this lyric drops, the comment section will do the marketing. Seed it by asking a question in the caption: "what's the one thing you say just to get through small talk?" Let the audience tell their own version of the story.
  • The "Kitchen Table Talk" connection is a rollout tool. If Small Talk and Kitchen Table Talk release in proximity, the Easter egg ("I'm talking kitchen table talk" in verse 2) becomes a content moment — point it out and let the deep listeners feel rewarded.
  • Email list angle: This song has a strong "personal story" email — the one where you tell the real version of why you wrote it, not the polished version. That email will convert listeners to fans faster than any social post.
Release Strategy
  • Tier: Story Single — strong community hook
  • Pre-release window: 3 weeks of stitch content before drop
  • Coordinate with Blue Foley's audience if applicable
  • Playlist targets: Americana, singer-songwriter, neurodivergent community playlists
  • Music video aesthetic: kitchen table — ties to album Easter egg
Sync / Licensing Potential
  • Neurodivergent protagonist — any show/film with social outsider arc
  • Awkward-first-connection-becomes-love scenes
  • Coming-of-age / identity discovery storylines
  • Brands: mental health awareness, authentic lifestyle, neurodivergent adult market
🪧 Billboard - One Per Song
  • Confirmed: every single in the campaign gets its own billboard. Not a phase-4 or cash-flow-permitting extra — a locked part of each release.
  • Billboard copy: To add — write this song's billboard line here.
LyricsLyrics3:17
Written by Kris Bradley & Blue Foley  ·  © Boomfox Productions
You think you weirded me out
But you weirded me in
When you told me your life story
Over last night's bath tub gin
And now you've got a friend for a life
Info dump on me all night
I'm tired of answering "how ya been?
Just to be polite
If it ain't real I don't want it
If you gotta force it, or flaunt it
Then just keep it yourself cuz I'm alright
If you ask me what I do, or how's the weather
I'm just thinking please do better
I know it's what we've all been taught
Ya waste your breath, ya piss me off
Cuz I ain't big on small talk
I never understood
Reading 'tween the lines
Just tell it like it is
So you don't have to say it twice
I wanna know your darkest thoughts
I'm talking kitchen table talk
I wanna know what keeps you up at night
If it ain't real I don't want it
If you gotta force it, or flaunt it
Then just keep it yourself cuz I'm alright
If you ask me what I do, or how's the weather
I'm just thinking please do better
I know it's what we've all been taught
Ya waste your breath, ya piss me off
Cuz I ain't big on small talk
If you start out small, I'm just gonna shut you down
So here's what I ain't talking about...
The way the work week's goin'
The way the wind's been blowing
Did the dodgers win
Or How ya been
Just cut the shit and gimme
What cha got....
Cuz I ain't big on small talk
If it ain't real I don't want it
If you gotta force it, or flaunt it
Then just keep it yourself cuz I'm alright
If you ask me what I do, or how's the weather
I'm just thinking please do better
I know it's what we've all been taught
Ya waste your breath, ya piss me off
Cuz I ain't big on small talk
AdminRegistration & RightsISRC · BMI · UPC · credits
Registration
ISRC
QTA6R2600008
Key
Ab Major
BPM
92
ISRC source
Boomfox prefix
UPC (album)
To be assigned
BMI work registration
Registered
Publisher
Kris Bradley Music (BMI)
IPI 00821161184
Writer account (BMI)
KAMAI BRADLEY KRISTI LEAH K (550220798)
Writers
Kris Bradley, Blue Foley
Duration
3:17
Master format
44.1k/16
Time signature
4/4
Recording year
2026
Release status
Unreleased
Label
Boomfox Productions LLC
Producers
Kris Bradley, Eric Torres, Blue Foley
Mix
Eric Torres
Mastering
Sam Moses
Also on file
  • Work tape (vocal) (worktape) — open
Where the files live
  • Master WAV: MCA Masters - Sept 8 (Google Drive)
  • ISRC allocation: MCA ISRC Master List (Drive, Admin folder)
  • Credits: Album Credits sheet (Drive)
  • BMI: applications.bmi.com, account KAMAI BRADLEY KRISTI LEAH K (550220798)